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اکسپرسیونیست انتزاعی
Johns and his friend Robert Rauschenberg were the major figures in a cénacle of younger artists who in the 1950s began to react against the by-now sainted Abstract Expressionists.
In fact, his flatness exposed once and for all the pseudo-flatness of Abstract Expressionists like de Kooning
Greenberg had always argued that the Old Masters, the classic 3-D realists, had created "an illusion of space into which one could imagine oneself walking," whereas-to the everlasting glory of Modernism-you couldn't walk into a Modernist painting and least of all into an Abstract Expressionist painting.
Perhaps you can't walk into an Abstract Expressionist painting-but you can fly through.
All along, the Abstract Expressionists had been dealing in "open atmospheric effects."
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